Exciting news from Blackmagic Design – They have announced a special price bundle on ATEM Production Studio 4K and HyperDeck Studio 12G for a limited time only.
The Blackmagic Design ATEM bundle suits customers wanting to upgrade to an Ultra HD switching workflow – which supports instant switching between SD, HD and Ultra HD video formats, providing a more advanced live production system as well as Ultra HD compatibility.
Blackmagic Design has been awarded four NewBay Media Product Innovation Awards for 2015. These awards recognize excellence in manufacturing of product to serve the television, professional video and broadcast/online radio markets. The winners are chosen by a panel of working professional engineers and managers in television, pro video and radio.
An incredibly tiny Ultra HD and HD studio camera for live production.
Small enough to fit in the palm of your hand and features an incredible quality, broadcast grade Ultra HD sensor that allows customers to see more texture and detail in their images than ever before.
Can be used for both HD and Ultra HD production and features a built in color corrector, talkback, tally indicator, PTZ control output, B4 lens control output, and an extremely flexible MFT lens mount that is easily converted to other lens mounts via third party adapters.
DaVinci Resolve 12 Studio was honoured for its many new updates, including a new modern interface, multi-cam editing, powerful new media management tools, an entirely new professional audio engine with support for VST/AU plug-ins, shot matching, 3D keyer, new 3D perspective tracker, enhanced curve editing and more.
With the most accomplished consumer 3D camcorder yet, JVC has taken the lead over all other manufacturers. The Everio GS-TD1 can shoot Full HD frames for each eye, giving it the best 3D image quality on the market. Currently, only the software supplied can take full advantage of the resolution, but this is still the best 3D camcorder currently on the market.
One of the most prestigious international design competitions has awarded seven prizes to the historic company from Vicenza, recognising the quality and excellence of Italian design
Manfrotto, the world leader in the design, production and distribution of equipment and accessories for the photography and imaging industry, has won seven prizes at one of the world’s most prestigious design competitions: the Red Dot Design Award 2011. The prizes were awarded to products from the new Imagine More collection:
The Imaging & Staging Division of the Vitec Group, Manfrotto’s UK-based parent company, also won an eighth prize, which was awarded to the KATA brand for KATA Source.
According to the authoritative jury of the Red Dot Design Award, composed of top international design experts, the unique and innovative design of these eight products stood out in a competition that attracted 4.433 projects submitted by designers and companies from 60 countries.
The significant results achieved at the Red Dot Design Award 2011 by Manfrotto – and the Vitec Group in general – represent further recognition of the quality of Italian design: a success that the company is proud to share with the entire sector, which has been the emblem of Italian excellence around the world for years.
Manfrotto products reflect the qualities of a team of professionals who are unique in this industry and are committed, day after day, to developing innovative and state-of-the-art products. Ongoing research into new trends and technological innovation has helped the Manfrotto team gain the attention, favour and loyalty of a large national and international public, as demonstrated by the important recognition of the Red Dot Design Award 2011.
The awards ceremony will be held on 4 July 2011 at the prestigious Essen Opera House (Germany), which is also the location of the Red Dot Museum. A permanent exhibition of the winning products, with explanatory panels, will be set up in the museum. The innovative articles will also be published and illustrated in the annual Red Dot Design Yearbook and at the www.red-dot.de website.
Lowel Lighting have written a great article that takes the confusion out of colour temperature and color rendering index.
Color Temperature Defined
Color temperature has been described most simply as a method of describing the color characteristics of light, usually either warm (yellowish) or cool (bluish), and measuring it in degrees of Kelvin (°K).
That’s a little too simple to be of more than introductory value.
A more technical definition assigns a numerical value to the color emitted by a light source, measured in degrees of Kelvin. The Kelvin Color Temperature scale imagines a black body object— (such as a lamp filament) being heated. At some point the object will get hot enough to begin to glow. As it gets hotter its glowing color will shift, moving from deep reds, such as a low burning fire would give, to oranges & yellows, all the way up to white hot. Light sources that glow this way are called “incandescent radiators”, and the advantage to them is that they have a continuous spectrum. This means that they radiate light energy at all wavelengths of their spectrum, therefore rendering all the colors of a scene being lit by them, equally. Only light from sources functioning this way can meet the truest definition of color temperature.
The above is not a true Color Temperature chart. Instead it is a hybrid, showing the color temperatures of light sources most commonly encountered in professional imaging. In our scale, tungsten-halogen has a color temperature of 3200°K. Household fluorescents are accepted to be around 4500°K, depending on the lamp.